Monday, 17 September 2012

Thriller Review of 'Immersed'


 ‘Immersed’ starts with a shot of dark, rippling water and a constant droning sound effect in the background to create a tense mood. A swimmer disturbs the unbearable anxiety already building up in the atmosphere. The woman breaks through the water and becomes the central focus in the shot. She is seen to be doing lengths in the pool and there are various different shots being used to illustrate this activity. Some shots are close ups of the body and others are taken at a low viewpoint but still seem to be looking down on the swimmer as if from someone else’s viewpoint which creates an uneasy atmosphere and viewers get the feeling the woman is being watched.
The humming back track has returned into the background, which recalls the earlier feeling of anxiety whilst there are underwater shots being used which create a feeling of isolation, as the girl is not aware of what is going on above the water. The handheld camera underwater shots contrast to the still shots above water as it seems like you have the same viewpoint as the swimmer, following her in her activity, and experiencing how isolated and oblivious she is to her surroundings which creates a definite tense mood.
The next shot is an aerial shot of a counting stopwatch on the poolside, taking a close up on the stopwatch adds an element of time which suggests that something is about to happen so the atmosphere is suspenseful.
As the swimmer draws in breathe she gasps in the air dramatically, which gives you a shock, as you are already feeling uneasy in the eerie atmosphere created by the invasive shots and the haunting music.
A wide shot is then taken of the whole pool room which emphasises how the swimmer is cut off from the outside world in a small room and only has one exit through one door. The next shot is at a low viewpoint from the poolside and shows the swimmer getting closer to us and the continuous, monstrous splashes of water she is generating which are preventing her from gaining any knowledge of what is happening in the outer world.
The next shot is quite an abrupt close up, which shows the swimmer grab for the stopwatch hastily and check her time, which is the only time she stops from her vigorous activity to take notice of the happenings in her surroundings. The shot then returns to the poolside low viewpoint which show the woman in her continuous routine, however this time there is the effect of slow motion used and this shot increases the intensity dramatically as the thriller starts to build up a climax of suspense. The high angled, aerial shot used gives the effect of a witness looking down.
A medium shot of the door handle is captured and a stranger walks into the poolroom, unnoticed by the swimmer. When returning to the girl there is the added sound effect of slow and despairing breathing which really brings the viewer into the mind of the girl, completely oblivious to the events going on.
The stranger is seen to be coming closer as there is a continuous medium shot of the suspect, not allowing the viewer to see any kind of identity, just the sight of the person’s body, which gives viewers the feeling of suspicion. The stranger’s clothes are dark which immediately depict the person as an evil, unnerving character. The shot of the stranger approaching is in very dim light, which symbolises threat and danger entering the environment. Whereas the following shot taken by an underwater camera incorporates complete natural daylight which contrasts to the last shot and symbolises the innocence of the unknowing girl. These two shots paired together are quite chaotic as the lighting contrasts intensely, they slightly disorientate the audience and panic arises as the second shot is hastily filmed creating an effect of the swimmer struggling.
Next is a tracking shot of the strangers legs, showing minimal body which adds a sense of danger and alarms the audience, making you feel uneasy as you do not know who the character is. Eventually the camera pans round to the swimmer who has finished her length and becomes face to face with the stranger, possessing a look of complete horror and emitting a genuine gasp. The thriller comes to an abrupt end with the climax of the last shot and finishes with the bold writing of ‘IMMERSED’ illustrated with ghostly shadows underneath the font to create an ultimate evocative effect. 


Saturday, 15 September 2012

Filming Techniques

Today we learnt about two of the different techniques you can use when filming a scene.


  • The 180 Degree Rule
  • The Rule of Thirds
These two rules are very effective for producing a creative and logical scene. 

The 180 Degree Rule

When filmmaking, if you want your shots to appear realistic and smooth with a consistent line of action, the filmmaker must follow the 180-degree rule.  

The 180-degree rule is an imaginary line of action drawn across the frame or screen. It is the location where not only action or the direction a subject is moving, but it is also the sightlines, or the character’s direction of vision. Once shooting has begun, the camera operator needs to stay on one side of the line in which they initially started shooting that particular action.

If two actors are talking to each other then draw a line to connect the two places where they are standing and extend the line in each direction to the edges of the set. Even if there are many actors in the scene you can still draw a line connecting the two opposing sides of the action.

Consider two characters speaking to one another while facing each other. Their direction of vision is the sightline. For instance, Character A is on the left side of the frame speaking to Character B on the right side of the frame. Character A and Character B, because of the sightline, have created an imaginary 180-degree line, straight through them. Therefore, the camera operator is on Character A’s right side and Character B’s left side. To create a logical and believable plan of action, the camera operator must stay anywhere on this side. Suppose the camera operator did not consider the 180-degree rule, and all of a sudden, Character A is on the right side of the frame. This particular shot will give viewers the impression that Character A is talking to themself. The result is not only distracting but it can become confusing to your viewers.






The Rule of Thirds
The rule of thirds is a concept in video and film production in which the frame is divided into nine imaginary sections. This creates reference points which act as guides for framing the image. Points or lines of interest should occur at 1/3 or 2/3 of the way up or across the frame, rather than in the centre. 










The rule of thirds creates more tension, energy and interest in the composition than simply centring the subject would. When using the rule of thirds your photo becomes more balanced and will enable a viewer of the image to interact with it more naturally.  People’s eyes usually go to one of the intersection points most naturally rather than the center of the shot – using the rule of thirds works with this natural way of viewing an image rather than working against it. When filming people, it is common to line the body up with a vertical line.





















Friday, 14 September 2012

Camera Work

Today in our Media Studies lesson we learnt how to assemble and dissemble a camera and some of the many techniques used to film a simple scene.

The Camera:

  • STEP 1: Set up the tripod. The tripod has three feet that stable the camera. Depending on the height you want you can adjust the tripod accordingly with knobs on the side of each tripod foot. When dissembling the tripod you must always be careful to hold the camera by its handle to assure that it will not be damaged in any way. 
  • STEP 2: Fasten the camera to the tripod. In order to do this there is a knob on the side of the top of the tripod that you have to press inwards to slide the camera on and fasten it tightly. To make sure the camera is secure you shake it slightly. This ensures that the camera will not move or fall in the middle of a shot.
  • STEP 3: Mastering the controls. To work the camera you need to know the basics of how to turn it on and off and start and stop recording. To turn the camera on you would need to flick a switch on the lower part of the camera upwards. Next would be the recording button which is located on the top of the camera and you would simply press it once to start recording and press it again to stop.
  • STEP 4: Controlling the shutter speed and checking the bubbling. This is essential to do as the camera will need to be balanced and at a straight level on the tripod for filming therefore whilst bubbling a camera you need to make sure the dot on the bubbling sensor is in the middle of the circular sensor as it will then be level. The shutter speed is very important in camera work. This measurement determines the amount of light that will be let into the camera lens. Generally the shutter speed on the film camera should be about 1/50 sec and this will let a sufficient amount of light in through the lens. 
  • STEP 5: Operating the camera zoom and focus. In order to make sure the quality of your shot will be in focus, whether your doing a close up or a wide shot, you must always zoom in on the object you want to film, adjust the focus until the quality sharp and full of clarity. Then if you are filming a wide shot you can just zoom back out accordingly and with a close up shot, commence filming at that distance. 
  • STEP 6: Correcting the white balance. This is essential to do as  the light intensity will vary in different locations and the camera will not know the difference between artificial and natural light therefore you must find a white wall or background or simply a white piece of paper and hold it in front of the camera lens. Once you do this you need to press a small button on the side of the camera labelled 'WHT BNCE'.
  • STEP 7: Inserting the battery. Once you have accomplished all the other steps you will need to make sure the camera is fully ready for filming and this is done by checking the battery is inside. To insert the battery you have to slide it in the back of the camera and push it down until it clicks. 
Now the camera is secure, focused, balanced and ready to start filming. As next we were asked to film a short scene including different camera viewpoints using zooming and altering of the tripod. We were put into groups to manage the camera and film the scene therefore we all had different roles. The roles consisted of director, cameraman, continuity person and actor. We all changed round roles twice so we had a chance to try out something different. Before each take, the director would have to call out, "Stand by" to which all the crew would answer, "standing by" which means everyone is ready to start shooting the scene. The director would then tell the cameraman to "roll it over", meaning to start recording, to which the cameraman would reply, "rolling". It would then be time for the director to shout "ACTION" to all the crew so the actor could start acting the scene. When the scene ended the director calls out "CUT" so the camera man would know to stop recording and the crew would know the scene was over. Sometimes a director might like to create a dramatic effect by leaving saying "cut" until after a long pause, which is what happened in my group a couple of times!

When shooting the scene we decided to start off with a wide-angle shot, which let the potential audience acknowledge the whole location of the scene. So the actor came into room, picked up her phone off a chair, checked the time on the phone, looked at it for a couple of seconds and threw it back down on to the chair. We were told to make the scene as simple as possible so we would not have to shoot the scene more times than necessary from different locations. After the wide angle shot we decided on filming a close up shot of the phone on the chair, this worked well as the actor came in and picked it up, so the phone would not be on the chair and then when she threw it back down the phone landed in exactly the same place as where she picked it up. Next we shot a close up of the actors face therefore before we started recording the scene we had to position the camera correctly to where she would be standing so we could capture her face perfectly, at the right angle. Lastly we decided to film a medium shot of the scene in order to show the range of viewpoints which can be achieved and to add variety. So when the shots are altogether we would end up with a wide angle shot to introduce the scene and setting to the audience as the actor walks into the room and picks up the phone. Next would be the close up shot of the actors face as she checks the time on her phone. After that would be the close up shot of the phone thrown down onto the chair and the medium shot of the actor walking out of the room. When watching the clips back we thought the filming had gone successfully and we could edit together a professional looking scene! I found this exercise extremely interesting and quite easy after a bit of practice. It has really opened my eyes to just how long filming a simple scene can take as most film crews are on set for months or even years filming a movie!

The camera we used was the Sony NX5 which is an excellent quality camera and is also basic and easy to use. 

Sony NX5 Film Camera





Thursday, 13 September 2012

The Bourne Ultimatum Poster


  • The poster shows a rugged looking man in two poses, gazing intently at the camera and looking over his shoulder apprehensively. In both photos he looks attractive and may appeal to most women. 
  • The picture on the left shows the main character holding a gun as he is dressed in all blacks therefore this represents action and murder as he may be undercover which would appeal to most men and viewers who like action films.
  • The text saying 'Matt Damon is Jason Bourne' may attract Matt Damon fans to the film as it has been clearly advertised that he is playing the main character. 
  • The presentation of the release date in the centre of the poster makes the numbers look as if they are part of a code which may interest viewers who like a challenge to solve mysteries in the plot. 
  • The facial expression of the main character on the right is very intense indicating that the mood of the film may be very serious and therefore it may be attract viewers who enjoy drama. 
  • The appearance of the mans face on the right shows his skin to be cut and dirty which implies that the film is action packed and violent. 

The Roommate Poster


  • The poster suggests that the target audience may be of a younger age as the poster shows the setting of a college and the hustle and bustle of the students around the grounds. The plot involves a girl going off to college and sharing with a psycho roommate therefore this may attract people who have been through the same experience of sharing a roommate at college.  
  • All the actors on the poster are of a young age as they are going to college and the roommate in the centre of the poster is also of a young age therefore the thriller would probably attract teenagers more than adults. 
  • The roommate, Leighton Meester, could be seen as a role model to many young girls or attractive to many teenage boys therefore the movie would appeal to them. 
  • The red writing of the title symbolises danger and possibly blood therefore the audience would have to like suspense and possible gore. 
  • The college in the background of the poster looks haunted against the backdrop of the grey sky. Also Leighton Meester looks ghostlike as the ordinary students behind her are blurred and she is the only clear figure looking dementedly at the camera therefore the target audience are for people who like thrills and supernatural scares. 







The Usual Suspects Poster Analysis




  • The man on the left looks as though he could work at a garage as a drive as he is wearing a jacket labelled 'porsche' down the side. This indicates that he is associated to cars either having a job in the business or has an interest in them. 
  • The man second to the left is wearing all black which symbolises danger and hints to an evil persona. His stance is wide which is intimidating and his overall body language is stern and rigid which may indicate he is more aggressive and violent than any of the other suspects. 
  • The central man is wearing a red shirt which suggests that he may be a smooth talker and confident with women. Also his red shirt may symbolise blood which insinuates a chance of death. It could also symbolise sex and passion which could hint to his talent with the ladies. His body language implies that he is comfortable and relaxed in his situation which portrays him has a confident character. 
  •    The man second to the right is wearing a light blue shirt which suggests that he may be an ex policeman. He is dressed in light colours which gives the character a heroic feel and he may be the brains of the operation. His body language suggests that he may be a reserved character as his arm is positioned over the other which acts as a guard to his body. 
  •  The man on the right is wearing a sweater vest and geeky shirt which portrays him as an intelligent yet vulnerable character. His facial expression is much more anxious compared to the other suspects. His body language of leaning towards the other men may suggests that he is guilty as he is attempting to hide behind the other men. His hand is  positioned to be grasping his arm which signifies that he may need stability in his life. 
  • Their shadows against the background imply that they have many secrets and are suspicious characters. The shadows represent secrets creeping up on characters and setting an eerie atmosphere. 


The Girl with the Dragon Tattoo Poster Analysis


The Girl with the Dragon Tattoo Poster Analysis
  •       The background of the poster is black, which creates an ominous and gloomy mood, which indicates the possible mood and atmosphere of the movie.
  •   The woman on the poster has very white, fair skin, which contrasts with her jet-black hair that also contributes to the dark atmosphere of the poster. However the pale colour of her skin suggests she may have been pure once before or she either still has an innocent side to her.
  •  As the emblem of the dragon is covering one side of her face this could represent how it is one side of her personality.
  •  The woman has a determined expression on her face so this could indicate what she may have to face in the movie is a challenge and requires all her efforts.
  • The colour of red used to illustrate the dragon design and some of the words in the title represent the possibility of danger within the movie leading to injury involving blood and potential death. It may also represent possible passion felt by the character.
  • Most writing on the poster is white and contrasts with the black background making the writing bold and may be symbolic of innocence and purity, which may be a part of the characters personality and a main aspect of the movie
  • Her pale skin contrasts with the dark background to give the poster a sense of depth.
  • The way the woman is emerging from out of the darkness could represent how she has been in a dark place for a long time, either physically or mentally and it may also suggests she has many burdens and secrets which are catching up with her. She is coming forward into the light, which could represent a sense of hope and suggests something good may happen in the movie.